4 x 6 index card art, December 2015

It is customary that the woman of the house not work for the time while the candles are burning at Chanukah. I decided to make art during this time. I’ve enjoyed these little quick art projects in the past but have not made time for them since I was working on editing and formatting my third book. I’m glad I made time to do these during this time. It forced me to sit still and play.

12-6-15 1st night of Chanukah
120615 H1a

120615 H1b

12-7-12 2nd
120715 H2a

120715 H2b

120715 H2c

12-8-15 3rd night
120815 H3a

120815 H3b

12-9-15 4th night
120915 H4a

120915 H4b

12-10-15 5th night
121015 H5a

121015 H5b

12-11-15 6th night
121115 H6a

121115 H6b

121115 H6c

(door 1)
121115 H6d door1

(door 2)
121115 H6d door2

(door 3)
121115 H6d door3

(door 4)
121115 H6d door4

12-12-15 7th night
121215 H7a

121215 H7b

121215 H7c

121215 H7d

12-13-15 8th night
121315 H8a

121315 H8b

November 1 2015 memory map

11-1-15 map watercolor

This was inspired by the artwork of Walter Inglis Anderson as well as that famous Moody Blues album, along with –

Topographic maps. Botswana agates. The glorious colors of fall leaves. The aimless trails left by burrowing insects in wood. Cloisonné. Geodes. Fractals. Intestines and the villi inside them. The meandering shiny trails left by snails on spiderwebs and across fallen damp leaves. “Ghosts of leaves” – Tannin stains on sidewalks left from falling leaves and rain in November. Rorschach tests. Misty mornings. The smell of decay and over-ripeness of wild muscadines rotting on the vine. Unknown secrets, so dark and forgotten that no one even knows they are secrets anymore.

Shrouds, palls, and veils.
Inlets, coves, and fjords.
Maps, puzzles, and labyrinths.

Lightning amongst the clouds on a humid late summer’s night. Tendrils on grapevines, blindly reaching, binding. How the letters don’t touch each other on Torah scrolls.
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I mostly let my mind go free and “filled in the blanks” on a blank piece of paper. I selected color moment by moment. There was no pre-sketching or planning. This took a little over an hour to do. I kept another piece of paper nearby to write the words for what I was seeing/remembering/being inspired by. I think of it as a sort of memory map that works both ways. It shows me where I have been and shows me where I’m going, and something more.

Watercolor on 8” x 6” medium-heavy paper.

A picture of something that inspires me. Found on a walk at lunch at the Hermitage library. There is a small creek that runs beside it. This is a wonderful log with insect-wandering-doodles.

worm

Lines on a humid window.
13319772_10207423467083259_2720958521476053776_n

Travel (by) stamps

Some journeys are private…

1 …where we venture out alone, with few provisions.
p1

2 Everything is a surprise, or a delight,or a wonder, or a challenge…
p2

3 to be enjoyed or dealt with on our own.
p3

But sometimes we travel with others. Then there are more decisions to make.

4 How shall we travel? How shall we move from here to there?
Underwater?
p4

5 By helicopter? Or skis?
p5

6 Or the unknown and as-yet unnamed?
p6

7 Perhaps we will take a plane…
p7

8 …to Spain?
p8

9 Or a tiny boat with only room enough for five…
p9

10 …to visit a mountainside where homes crowd atop each other.
p10

11 Perhaps we will sail away in a ship out of the mists of time…
p11

12 …to an island fortress long forgotten?
p12

13 Or take a rickety, rumbling cable car up a hillside…
p13

14 …to discover a medieval village unaffected by modernity?
p14

15 Warmer climes, you say? Then we will travel by camel…
p15

16 …and stay with Bedouins…
p16

17 …perhaps enlisting the help of a local herdsman…
p17

18 …to enjoy the wildlife…
p18

19 …from a safe distance…
p19

20 …for them…
p20

21 and for us.
p21

22 Then maybe you’ll tell me you can fly
p22

23 …and we discover a land forgotten by time.
p23

24 Maybe you’ll prove to have secret talents and we will travel in a small black box…
p24

25 …to visit a large black box.
p25

26 While there, we fall in love with minarets…
p26

27 …and towers…
p27

28 …even discovering that we now notice towers (bell, clock, and otherwise) in Western climes.
p28

29 We are grateful for the new eyes our travels have given us.
p29

30 We can fly to islands…
p30

31 …where animals outnumber people.
p31

32 There, we can ride a horse into the forest…
p32

33 …to discover those who stand out …
p33

34 …and those who hide.
p34

35 Or we can take a canoe…
p35

36 …along the shore…
p36

37 …to see animals at a safe distance,
both large…
p37

38 …and small.
p38

39 Even America has undiscovered lands…
p39

40 …filled with animals who are majestic and rare,
p40

41 or common and equally beautiful.
p41

42 p42

43 Travelling further, we see beauty everywhere we look.
p43

44 Some of it stark…
p44

45 …some of it serene.
p45

46 We decide to take some of the beauty home with us, to decorate our table.
p46

(This was assembled by hand in a 65 x 80 centimeter travel book. I wrote the words on the left side, and glued the stamps to the right. The book was purchased at least 12 years ago as a Christmas gift, yet it never found a home. It stayed in my gift basket all that time. Most of the stamps were given to me by a friend in a massive box from an estate – it was a man’s entire lifetime collection, unsorted, some glued together from damp. I sorted them into categories over a long weekend. That alone took at least 10 hours. Then I sorted out the stamps for this and worked on it over the course of a few weeks. I scanned, cropped, and uploaded this in a day – that took another three hours.)

Poem about beads

I could lie
and tell you
an amazing story
about these beads,
the far reaches of the world
I travel to get them,
the famous people
who previously owned them,
the magical powers
they have.

Instead,
I’d rather spend
my energy
making the necklaces
than making up
stories
about them.

If you want stories,
read my books.
If you want beauty,
buy my jewelry.
I won’t lie to you
ever
but especially
to sell you something.
Beware of people who do.

Meditative watercolors/words

I created the watercolor art in this piece as a morning test. I’m learning how to use watercolors and I need to see how they work.

The spaces lend themselves to words. I’m going on another silent retreat, and since it is just a day retreat I wanted to prepare for it to get the most out of it. I don’t want to spend half the time feeling like I’ve just landed – I want to walk right in and make the shift.

I’ve been reading some of the handouts from the last retreats and really felt that this quote resonated with me right now, so I included it in the art. I like how the words are scattered – it adds to the quote.

how thin

This is another watercolor test, and when I looked closer I could see a lot that was suggested in it. I accented certain areas with gel pens – white and blue. This is my favorite so far.

geode map lightning

Is art right for you?

11 x 14 canvas.

Acrylic paint, gold oil pastel pencil, under-words from a prescription insert for a nose spray, warning labels from prescription bottles, magazine clippings, label from a box of multi-vitamins stamps, silver and black Sharpies, decoupage glue, rubber stamps, ink, watercolor.

Please message me if you are interested in purchasing this one of a kind artwork.

About how art is better for you than prescriptions.

Full image –
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Details –

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